
Modern Art
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![]() Modern Art If you are new to the Dragonlance series, the sheer number of novels that have been published is overwhelming. One of the questions we get at the Nexus most often asks what order should someone read the Dragonlance novels. To coincide with the release of our newly revised comprehensive list of novels, I’ve revised my reading list to help you make sense of it all. For those that don’t want to wait for the explanation, here’s my short list (these should be read in the order they appear in the comprehensive list): 1.Classic core novels Second, the list is organized based on the relative importance of a series. While importance is a judgment call, we looked at which novels had the most impact on a particular time period, or covered important events that shaped world history—rather than events that were specific to a particular region of the world or some of the smaller stories. So, if you are interested in a particular time period, my recommendation is to read all of the core novels first, then begin reading the supplemental novels depending on your particular areas of interest (if you are interested in elves, read Elven Nations, for example). The Time Periods The Historical designation is for novels that flesh out the backstory of Dragonlance. The Classic time period takes place 9,300 years after the beginning of recorded history, and the Historical period includes any novels that take place prior to 350 AC (roughly the start of the War of the Lance). In the 1990s, the Dragonlance saga moved from the Fourth Age of the world into the Fifth Age of the world, due to some major events that occurred in the storyline, specifically in a novel titled Dragons of Summer Flame, which is set in 383 AC. This novel is the final entry in the Classic era. Novels that occur after 383 AC are part of the Fifth Age period, beginning with the first series in the new period, titled the Dragons of a New Age trilogy. The Fifth Age continued until 421 AC, when the events recounted in the War of Souls trilogy drastically changed the course of history once again. At the conclusion of the War of Souls trilogy, the world entered a new age, the Age of Mortals. The Age of Mortals period represents the ‘current’ time period in Dragonlance writing, and the vast majority of novels going forward will be set in this time period and will move the setting forward from here. The gaming designation applies to products that are not novels at all, but are gaming books designed to allow players and a Dungeon Master to run a D&D game in the Dragonlance setting. The same organizational principles apply; however, it should be noted that in this case ‘core’ books represent the current D&D 3.5 edition rules and supplements and the ’supplemental’ materials are older, unused rule sets. More information on gaming in the Dragonlance setting can be found in my article on the subject. Reading Order For the record, I don’t recommend that you read the novels in chronological order—or, at the very least, that you do not try to read the novels in chronological order until you have completed the Chronicles, and possibly the Legends series as well. In addition to making the assumption that you know about some of the concepts introduced in Chronicles, some of the novels that are “first” in the chronological order will inevitably spoil the events that happen in Chronicles and in other novels that occur further into the future of the timeline. While the same is true about Chronicles (it hints at events in history that are explained in other books), these “previous” books are written with that in mind, so it would be my strong recommendation you read Chronicles first. The best way to get started is to begin with the Chronicles series, comprised of three books: Dragons of Autumn Twilight, Dragons of Winter Night, and Dragons of Spring Dawning. This is the first set of books written about the Dragonlance world, and will give you the foundation for everything else. Chronicles introduces you to the major gods, important characters, and important events and organizations that other books assume you already know about. Once you’ve finished the first three books, read the Legends trilogy. In addition to being the second series published, this series explores the relationship between Raistlin and Caramon, and also introduces the reader to more detail about the Cataclysm and the events immediately before and after it. Like the Chronicles, other books assume that you know what happened in the Legends series, so I would recommend that you read Time of the Twins, War of the Twins, and Test of the Twins next. With what long time fans consider to be the ‘holy six’ out of the way, you can begin reading other novels. Next, you should read the Lost Chronicles series. Despite the fact that Lost Chronicles series fills in the gaps between novels in the Chronicles series, Weis & Hickman have gone on record as saying that they should be read after the reader has completed both Chronicles and Legends. Dragons of the Dwarven Depths and Dragons of the Highlord Skies are the first two novels in this series. As noted at the beginning of this article, I recommend you read the Classic core novels first, so I would finish that group by reading The Second Generation and Dragons of Summer Flame, and then reading the core Fifth Age books: the Dragons of a New Age trilogy and The Dhamon Saga trilogy. Next, I would recommend the Age of Mortals core books: the seminal War of Souls trilogy and the Dark Disciple trilogy, which is still being written. Once you’ve gotten this far, I would recommend one of two things. The first would be to read the Age of Mortals supplemental novels to get completely current with the setting, or to go back and read the Historical core novels: the Heroes series and the Kingpriest Trilogy. Once you’ve read all of these core series, there really isn’t a reading order—it is whatever you find yourself most interested in. My personal favorites include the following trilogies (in addition to all the core books, which I would highly recommend), in no particular order: the Raistlin Chronicles, Tales, Elven Nations, Dwarven Nations, Kang’s Regiment, and the Defenders of Magic. In addition, I’m a big fan of work by the following authors: Margaret Weis, Tracy Hickman, Chris Pierson, Richard A. Knaak, and Douglas Niles. And the trailer on the BBC website makes it look as awesome as ever! I wonder. Is it all worth it in the end? Moving from something in one place to something in another. Is the end result better? Positive? What about the journey? Short? Long? Not quick enough? Too long? I drove through my home town today. Lots of things I remember still there. All the streets are recognisable but at the same time they looked very different. The corner shop where I used to nick Top Trumps from and buy matches pretending they were for my mum to start little fires in the woods. Different. The shops all the same buildings but different vendors. Some businesses that have been there for a very long time, boarded up and long gone. Different. People still wandering round at 8pm on a Saturday night, still looking to get drunk, still looking for a fight. Different. Same. But different. Nice tone machine: 1. Do it early in the day, says Max Barclay, an insect expert at the Natural History Museum. “Because they are cold-blooded, the reactions of insects depend on the temperature of the air. Early in the morning or in the evening they will be a bit dopey, but in the heat of the day they will be very quick.” But expect failure. Barack Obama was probably quite lucky, unless he’s been practising. “Nine times out of 10, a human will come off second best. Flies have a phenomenal barrage of senses, half of which we don’t have.” 2. Approach from behind, goes one theory, because flies take off backwards. Anecdotal evidence suggests some people find this a successful method. But the fact that flies have 360-degree vision and can jump in any direction makes it improbable.
![]() A dirty little fly... 3. Aim ahead, rather than at, the fly say researchers in the US, who found that within milliseconds of sensing a threat, flies get their body ready to take off forward, backwards or sideways. “Given that they are going to be jumping away from the swat, it’s best to aim slightly ahead of it,” says Michael Dickinson, of the California Institute of Technology. Although how far ahead depends on the speed of the fly. He’s been studying take-offs for five years, using video that provides 5,400 frames a second of a fly’s precise motion when threatened with a swatting. 4. The old-fashioned slap, now known as The Barack. Stay still, keep focused, take aim and attack. Ideal for a fast hand and if the fly is stationary. And if the world’s media is in attendance, YouTube fame beckons. 5. Implements with holes are more effective, says Dr Peter Barnard, director of science at the Royal Entomological Society. “It’s the air pressure they detect and fly away from. It’s not so much that they see something coming, but they feel the pressure wave in front of the object.” This is due to their coating of microscopic hairs, highly sensitive to air movement. Practising what he preaches, Dr Barnard uses a plastic pistol that fires a holed circular device. A fly swat gun, if you will. 6. Use chopsticks, like the Karate Kid. Under guidance from his instructor Mr Miyagi, teenager Daniel LaRusso demonstrates his speed and hand-eye coordination, and learns an important life lesson at the same time. Mr Miyagi’s advice – “Man who catch fly with chopstick accomplish anything” – features on T-shirts in homage to the 1984 film. 7. Put hands either side of the fly, facing each other, so it doesn’t know where the threat comes from, then clap the air a few inches above it. Wash hands immediately to remove the contents of the fly’s stomach (don’t ask). 8. Get a gadget. At the hi-tech end of the market there’s an electric-powered mesh, a dome complete with pheromone and an insecticide aerosol. For those on a budget, there are decorative window stickers or pens to coat windows with transparent insecticide, and fly-swats cost as little as £2. Animal rights organisation PETA, which advocates compassion for flies, says there are humane bug-catching devices available too. 9. Improvise with a rolled-up newspaper (bear in mind point five, above), or a spray window-cleaner. 10. The humane approach - to capture but not kill. “I like to grab them in my hands,” says Mr Barclay, who’s had plenty of practice. “When you want them for a collection you don’t want them damaged. Hit them with the palm of your hand and close your fingers over it.” And if you’re not an entomologist, release the fly outside. It will make you feel better. From the BBC Website |
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